A virtual influencer built on my own face and voice, kept consistent across photo, video and voice.
Visual identity · cloned bilingual voice (EN/ES) · documented content pipeline
One base prompt fixes the scene, the light, the wardrobe and the hair. One line per frame changes only the angle and the expression — and the face holds across all eight.
Frame 04 took three tries. Seen from behind, the blazer slipped off a shoulder, then turned into a sleeveless waistcoat. A wardrobe check naming both sleeves and full coverage fixed it; frames 05 to 08 carry a shorter version of the same line.
9:16 · 22 s · sound off · no new generations
The same study, cut as a 22-second vertical teaser: a hook, the method, what broke and the fix. Written to be read with the sound off, with the captions kept clear of the platform buttons.
The character reference held Alina’s face but carried her default styling: early frames came out with her hair tied up and a draped coat that read as cosy rather than formal. Clothes stayed the weak point — the face holds from the reference; the wardrobe has to be written down, frame by frame.
A consistent digital persona with a locked, reproducible visual identity, a cloned bilingual voice (EN/ES), and a documented production pipeline — with her own live website and social presence.
A virtual influencer built on my own face and voice, kept consistent across photo, video and voice.
Visual identity · cloned bilingual voice (EN/ES) · documented content pipeline
One base prompt fixes the scene, the light, the wardrobe and the hair. One line per frame changes only the angle and the expression — and the face holds across all eight.
Frame 04 took three tries. Seen from behind, the blazer slipped off a shoulder, then turned into a sleeveless waistcoat. A wardrobe check naming both sleeves and full coverage fixed it; frames 05 to 08 carry a shorter version of the same line.
9:16 · 22 s · sound off · no new generations
The same study, cut as a 22-second vertical teaser: a hook, the method, what broke and the fix — written to be read with the sound off.
The character reference held Alina’s face but carried her default styling: early frames came out with her hair tied up and a draped coat that read as cosy rather than formal. Clothes stayed the weak point — the face holds from the reference; the wardrobe has to be written down, frame by frame.
A consistent digital persona with a locked, reproducible visual identity, a cloned bilingual voice (EN/ES), and a documented production pipeline — with her own live website and social presence.